Tag Archives: writing process

Sob Story

We open on a distressed young woman, her heart racing with fear, her eyes welling with tears, her body racked with exhaustion from the constant emotional turmoil she faces.  Her life is a struggle, and she has no idea when or if her prayers will ever be answered.  She cries.  A lot.

Okay, readers.  How long do you give her before you tell her to get over it?  One chapter?  Five chapters?  Stick with her until the end of her journey?

In one of my novels, a romantic suspense, my main character finds herself in a situation that is so emotional, so frightening and so frustrating, that her outlook for a good portion of the book is bleak, to say the least.  She fights feelings of depression with every ounce of strength she can muster, yet isn’t very successful for much of the story.  She’s a real damsel in distress, and just like in any good romance, a hero will appear to help her out, but not before she’s gone to some really dark places within herself.

But it’s a normal, human reaction.  Her setting and issues really give her a great excuse.  Her circumstances are completely out of her control, and she feels lost.  In fact, I think that her reaction to the horror, anger, and frustration is far better than my own would be, if I found myself in the same situation.

But does a reader want to read a story about a girl who is truly suffering, even if her situation calls for it?  Can she still be classified as a heroine if she spends much of her time struggling against her own emotions?

The concern is not whether or not the reader will permit the leading lady to have her emotions, because they will immediately recognize the truth and organic nature of them.   

The concern is whether or not the reader will stick with the emotional roller-coaster that the story presents in order to find out whether or not our heroine is able to battle her circumstances to achieve her happy ending.

I recently made a few edits to my manuscript because I wanted my main character to be a bit stronger.  Even though I know how strong she is, I worried that the reader would find her to be too weepy.  I wanted her to cry just little less, and fight against her situation a little more, even if that meant I replaced a few tears with anger.

Anger seems a more powerful emotion than weeping fear, and therefore the reader would find her to be someone who refused to accept her situation, even though I had already written her to be a character of great faith (although desperate for answers).

Depression is powerful.  Conveying those emotions of hopelessness are necessary for a good part of the story, for the situation truly calls for it.  But deep inside her, even when she can’t see it, our leading lady is truly strong enough to become a hero.

Share with me: What do you think about characters who delve deeply into emotions?  When the story calls for it, are you willing to stick with it until the end to see if that happy ending is possible?  Or do you prefer your heroines to be just that, strong heroines from page one, with only slight vulnerabilities?

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Wannabe Writer-itis

I’m an author.  I create stories that are inspired, gifted, and brilliant, with characters who overcome challenges that no normal human could face, yet they do it with such grace and dignity that they will change the lives of all those who dare to read and process the amazing-ness that is my novel.

But you can’t read my novel because I haven’t written it yet, actually.

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I haven’t queried to an agent or editor.

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I have never read anything on the process of crafting a well-written story, because I don’t need to.  I’m good like that.

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I don’t care for critical comments about my writing.  My stories are perfect the way they are.

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It doesn’t matter what my query letter says, my novel is what’s important.

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I’ll just self-publish so that I can avoid anyone who might want me to make changes to my work.


I am a wannabe writer.

I suffered from wannabe writer-itis myself.  Even though I had actually written more than one complete novel, even though I had taken the leap to establish representation, even though I had let several people read my novels and give me feedback, I was severely lacking in one area.

I had never read anything on the writing process.

I thought my stories were great.  I thought they were inspired.  Especially the first novel I ever wrote– a historical romance set in 1820s England.  Oh, how I love those characters I created!

But then I started getting feedback on it from people in the writing biz.  And I’m thinking, “no…no…how can they not like it?  It’s fabulous!”

My critique partner (God brought her to me specifically to help me grow in my writing and to be like, the soul-sister I never knew I had) gave me some feedback.  And it was horrible, rip my heart out, this-story-needs-tons-of-work kind of feedback.  But it was the best thing that ever happened to me.

And so, out of humility, because I know I need to constantly be growing and learning if I’m going to succeed as a writer, I picked up several books at the library on the writing process and ordered a few more from Amazon.

Keep in mind that I am a history major with a master’s in education, and the only writing course I took in college was my freshman year.  My professor had his own theories on writing and had written his own textbook, which of course, he required each one of us to purchase.  The only thing I remember from his course is that he would walk around the room and throw around the phrase, “damn zippy.”  Yeah, I didn’t glean a whole lot of info from him.

So with pen in hand, I started reading through the library books and taking notes.  (I felt like I was in college again, but I love being a nerd like that.)

At first I was excited.  “Yes! Yes!” I’m thinking as I was reading.  I realized that I am doing many things correctly as a writer!  Then I got to the “Things You Should Never Do” in a romance, and my stomach dropped as I read the list.  In my beloved first manuscript, I had made Every.Single.One. of the mistakes an author should never make.  From the characters to the plot, I realized that my first manuscript, the one that inspired me to become a writer in the first place, was complete drivel.

For two seconds I considered throwing in the towel.  I almost succombed to the worst of the wannabe writer-itis symptoms– discouragement.

And then I paused and asked myself a question.  Do I want to be a writer?

And the answer is YES. 

If you are suffering from wannabe writer-itis, here are a few tips for curing your condition:

1.  Own it.  As my wise and encouraging friend Colleen once said, “you aren’t trying to be a writer, you are a writer.”  Now be one.

2. Read books on the writing process.  Yes, God can inspire our words and ideas, but we need to learn how to convey those words and ideas correctly into a sell-able novel that will reach others.  Learning the craft will help you take the inspired words and ideas and turn them into a book that makes sense and conveys the messages and themes you intend for it to convey. Our brilliant and inspired stories don’t do any good if no one will ever have a chance to read them.

3. Join a writer’s organization.  Whether it’s a local group or a national one, being involved in a writer’s organization will put you in contact with people who know the world of writing and publishing.  It will help you network and make connections that could eventually lead to publishing, if that’s your desire.

4. READ.  Read books by authors in the genre in which you would like to write.  The more you read, the more familiar you’ll be come with the genre.  Don’t attempt to write in a genre you’ve never read.

5. Attend a writer’s conference.  I will be attending my first one this year, ACFW.  (American Christian Fiction Writers).  The wealth of information that will be offered in the classes is overwhelming.

6. Write.  Complete a manuscript.  I put this one last on purpose, because it’s actually the last thing you should do.  Most people think that this is the first thing that a writer should do, but if you want to write something that’s not “drivel,” I suggest you work on the other steps first. 

And now, if you’ll excuse me, I need to do some serious rewrites on one of my manuscripts.  I hope that when I’m finished it will no longer resemble “drivel,” and instead will be a readable piece of work that will inspire others.

Share with me:  What do you think is the most difficult part of the writing biz?

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